Letters: Sharon Watson and Mark Osterfield say small dance institutions are at risk under current funding provisions, which will only deepen inequality in access to the arts
Balanchine: Three Signature Works review – visions of perfection
An immensely satisfying tribute to the choreographer is full of invention, emotion and dazzling precision
Prudence Skene obituary
Royal Ballet to perform Justin Peck’s Everywhere We Go, with music by Sufjan Stevens
The best theatre to stream this month
The best theatre to stream this month: Macbeth, Life of Pi, Playhouse Creatures and more
March 2025
The week in dance: Rachid Ouramdane: Outsider; Pam Tanowitz: Neither Drums Nor Trumpets – review
The week in dance: Lyon Opera Ballet: Cunningham Forever (Biped & Beach Birds); Giselle… – review
Lyon Opera Ballet: Cunningham Forever review – a modern master’s wild ambition
‘Like seeing an old friend’: Oyinkan Braithwaite on My Sister, the Serial Killer becoming a ballet
Ballet Black: Shadows review – killer moves in a dance adaptation of murderous blockbuster
The week in dance: Trisha Brown Dance Company & Noé Soulier: Working Title & In the Fall; Osipova/Linbury – review
‘My career flashed before my eyes’: Steven McRae’s devastating onstage injury and proud return as Romeo
‘We fell in love with the ballet and with her’: why 184-year-old Giselle keeps us swooning
Keep dancing: Chanel DaSilva on taking risks, dealing with grief and tackling Trump
The week in dance: Romeo and Juliet; Deepstaria – review
Osipova/Linbury review – superstar ballerina reckons with the icons of dance
Natalia’s night: Royal Ballet puts the spotlight on Osipova – in pictures
Light of Passage – a mesmerising meditation on loss, grief and hope
February 2025
Hansel and Gretel review – Northern Ballet ditch the witch in peril-free eco-fable
The Australian Ballet: Nijinsky review - riveting, defiant portrait of madness ain’t pretty
