Art and design + Letters
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Brief lettersA dustpan and brush with fine art
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Letters: Readers respond to Adrian Chiles’s experience of the institution’s treasures
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Letters: Julius Smit likes that analogue demands time, patience and thought, while David R Freke loves his refurbished 1970s SLR. Plus, letters from Roger Foster and David Baugh
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Letters: The work of the Brazilian photographer is defended by Beto Vargas Marubo
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Letter: Celia Clark credits Catherine Gladdis with a description of a brutalist landmark in Portsmouth that is often attributed to the then Prince of Wales
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Brief letters: Salts Mill | National Science and Media Museum | Adverse school reports | The Traitors | Perfume Genius | Trump Falls
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Brief letters: Bus station blues | Sharp pencils | Peanut butter | Prince Harry | Meat-free chilli
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Simon Clements writes: His instinct was always to encourage life’s student
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Geoffrey Strachan writes: A similar sympathy for the style of a trio of writer-performers appeared years later in Hepburn’s design for The Joy of Sequins (1994), the Fascinating Aida songbook
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Brief letters: Magic moments | Gone bananas | Cassandra Monbiot | The best of Bishop Auckland
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Letter: Those charged with making and delivering arts policy have consistently failed to alleviate it, writes Dr Susan Jones
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Louise Campbell writes: The painter was remarkably protective of his London studio
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Rodger Brown writes: I always remember the very human face he gave to what I perceived of then as a cultural world impenetrable to me