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Lyndsey Winship

Lyndsey Winship is the Guardian's dance critic

April 2025

  • Wake at Peacock theatre.

    Wake review – Irish dance takes a raucous, pole-dancing rollercoaster ride

  • ‘Big and bold’ … musician Sufjan Stevens.

    Royal Ballet to perform Justin Peck’s Everywhere We Go, with music by Sufjan Stevens

March 2025

  • Jules Cunningham (right) in Crow/Pigeons.

    Julie Cunningham & Company: Crow/Pigeons review – a beady dance delight

  • Fiendishly difficult … dancers from Lyon Opera Ballet perform Beach Birds by Merce Cunningham.

    Lyon Opera Ballet: Cunningham Forever review – a modern master’s wild ambition

  • Isabela Coracy with the Ballet Black dancers in My Sister, the Serial Killer.

    Ballet Black: Shadows review – killer moves in a dance adaptation of murderous blockbuster

  • A scene from In The Fall by Noé Soulier, performed by Trisha Brown Dance Company at Sadler's Wells.

    Trisha Brown Dance Company & Noé Soulier review – perfect poses and brilliant bounce

  • ‘We fell in love with the ballet and with her’: why 184-year-old Giselle keeps us swooning

  • Keep dancing: Chanel DaSilva on taking risks, dealing with grief and tackling Trump

  • Inside Giovanni’s Room review – pulsing dance retelling of James Baldwin novel

  • Osipova/Linbury review – superstar ballerina reckons with the icons of dance

  • Mythili Prakash: She’s Auspicious review – a paean to girl power

February 2025

  • That daring young royal on his flying trapeze … Dylan Barone in the title role.

    Revered in Riyadh but nixed in New York: how The Little Prince (almost) conquered the world

  • Wayne McGregor's Deepstaria.

    Deepstaria review – Wayne McGregor’s otherworldly creatures beguile

  • Dan Baines and Harry Alexander in Mariposa.

    DeNada Dance Theatre: Mariposa review – Madame Butterfly metamorphosed

  • Kévin Coquelard in Birdboy.

    Birdboy review – moments of spark in dark, chilly redemption story

  • Figures in Extinction review – life, death and a heartfelt plea for Earth’s creatures, humans included

  • ‘Why aren’t there Oscars for what we do?’ Choreographer Ellen Kane lets rip

  • Tanztheater Wuppertal Pina Bausch: Vollmond review – glamorous, surreal and very, very wet

  • ‘We’re much stronger than we think’: the Girl Gangs of all ages grappling on stage

  • Vibes, viscerality and the odd boo: inaugural Rose International prize is a curious snapshot of dance right now

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