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Theatre

  • a woman with red hair in front of a wall covered in post-it notes

    Is it curtains up on a new generation on Broadway?

  • Salty Brine in These Are The Contents Of My Head at Soho theatre, London.

    Salty Brine review – daring diva mashup with hella pizzazz

  • ‘People like me can do this’ … Sheehy, left, with Hannah Morrish in The Brightening Air.

    ‘To hell with RP’ … how surprise Olivier nominee Rosie Sheehy is following in Richard Burton’s footsteps

    To survive in acting, she thought she had to nail received pronunciation. Then she remembered Port Talbot’s extraordinary lineage, reverted to her native accent – and everything changed
  • Jean Marsh<br>Lesley-Anne Down &amp; Jean Marsh Television: Upstairs, Downstairs (TV-SERIE) Uk 1971-1975, 04 July 1973 A40A2T Allstar Picture Library/LWT **Warning** This Photograph is for editorial use only and is the copyright of LWT and/or the Photographer assigned by the TV or Production Company &amp; can only be reproduced by publications in conjunction with the promotion of the above TV Programme. A Mandatory Credit To LWT is required. The Photographer should also be credited when known. No commercial use can be granted without written authority from the TV Company.

    Jean Marsh obituary

  • a young woman smiles and looks over her shoulder in a high school classroom

    John Proctor Is the Villain review – smart and snappy high school comedy

  • Here I go again … Sara Poyzer as Donna in Mamma Mia!, a role she played for 10 years.

    Super troupers! How do stars of long-running hits from Mamma Mia! to The Lion King keep the pizzazz pumping?

  • A sense of dread … l to r, Mark Huberman as Richard, Canice Doran as Daniel, Lisa Dwyer Hogg as Hazel and Jeanne Nicole Ní Áinle as Annie in Our New Girl.

    Our New Girl review – Irish nanny triggers mayhem in gruellingly tense domestic noir

  • Thanks for Having Me, Riverside, 2025. Keelan Kember and Kedar Williams-Stirling Credit Oliver Kember

    Thanks for Having Me review – charming male look at dating contrasts with age of Andrew Tate

  • An Asian man looks up, flanked by two Asian women and a man; two of the people are reaching up to his face

    Speed review – comic tale of road rage and race is approachably provocative

  • Hamzeh Al Hussien in Penguin.

    Penguin review – revealing one-man show about a refugee’s journey to self-acceptance

  • Man of the match… Peter Mullan, centre, as Bill Shankly in Red or Dead.

    Red or Dead review – Peter Mullan tackles Bill Shankly in uneven adaptation

  • The week in theatre: Manhunt; Jab – review

  • Decline of drama at school prompts UK training drive for backstage work

  • Is actor Michael Sheen the right person to rescue Welsh theatre?

  • ‘You wouldn’t pick us out as mother and daughter!’: Imelda Staunton and Bessie Carter on acting together for the first time

  • Kate Maltby

    There’s a place for audience participation, but ‘chicken jockey’ chaos takes it too far

    Kate Maltby
  • Kit de Waal.

    On my radar
    On my radar: Kit de Waal’s cultural highlights

  • "Wake In Fright" New York Premiere<br>NEW YORK, NY - OCTOBER 05: Director Ted Kotcheff attends the "Wake In Fright" premiere at Film Forum on October 5, 2012 in New York City. (Photo by Dave Kotinsky/Getty Images)

    Ted Kotcheff, director of First Blood, Weekend at Bernie’s and Wake in Fright, dies aged 94

  • The Return

    Going out, staying in
    From The Return to The Last of Us: a complete guide to this week’s entertainment

  • Tom Hunsinger

    Other lives
    Tom Hunsinger obituary

    Other lives: Actor with the Cherub theatre company who co-wrote and co-directed three films and taught at Rada
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